NIKHIL P. YERAWADEKAR
 
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Photo by Jacob Blickenstaff

 
 

I'm a musician from Queens, NY named Nikhil P. Yerawadekar.

I like creating and executing lots of different kinds of music in a variety of roles, from leading bands and producing recordings to writing, arranging and performing on guitar, bass, keyboards, vocals and percussion.

I spent nearly a decade as the bassist in the Afrobeat band Antibalas, and my interest in the legacy and music of Fela Kuti will always be a big part of my work in music. I’ve also studied and worked on a variety of West African guitar music, Jamaican music, classical guitar, various eras of jazz, R&B and the blues. I’ve done my fair share of rock, pop and commercial music too. 

I’ve performed all over the world in countries such as:

Australia, Brazil, Ecuador, Japan, Mexico, New Zealand, Nigeria, Norway, Poland, Spain

At events including:

2017 Womens March (Washington, DC), All Tomorrow’s Parties Festival, Austin City Limits, Lock’n Festival, Felabration 2022 (Lagos, Nigeria) Meadows Festival, Montreal Jazz Festival, NPR Tiny Desk Concert, Outside Lands Festival, Roskilde Festival (Denmark), Pan-American Games (Toronto, Canada)

All over New York City at:

BAM, Bowery Ballroom, Carnegie Hall (4x), Celebrate Brooklyn, Central Park Summerstage, Fela! On Broadway, Highline Ballroom, Lincoln Center, Roseland Ballroom, Terminal 5, The Apollo Theater, The NYC AIDS Walk

I’ve performed and/or collaborated with a wide variety of artists such as:

Allen Toussaint, Anjélique Kidjo, Billy Gibbons, Cedric “Im” Brooks, Davido, Esperanza Spalding, Grand Puba & Lord Jamar of Brand Nubian, Judy Collins, Kenny Loggins, Khaira Arby, Medeski, Martin & Wood, Santigold, Sharon Jones, Taj Mahal, Tony Allen

National TV show performances include:

The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live!, PBS Sound Tracks

In Studio radio performance highlights include:

KEXP (Seattle), WFUV (New York), WFMU (New Jersey), WNYC (New York), Radio Nova (France)

I’ve recorded at a wide variety of NYC-based studios including:

Electric Lady Studios, Daptone House Of Soul, The Magic Shop, Quad Studios, The Bunker, Electric Garden

On top of my freelance work, I lead two projects of my own in which I get to dive deeper into my particular creative interests. I also get a kick out of teaching (I have a BS in Music Education from NYU) and DJing with my record collection (I held a year-long residency at Threes Brewing in Brooklyn). I’m proud to be a part of a supportive and diverse community of independent artists in Brooklyn.

 
 

 Select Discography

A sampling of the records I’ve worked on

A sampling of the records I’ve worked on

Some recordings I’ve produced or co-produced:

Nikhil P. Yerawadekar & Low Mentality - Everything Lasts Forever LP

Nikhil P. Yerawadekar & Low Mentality - “Reel It In” 45

Akoya Afrobeat - Under The Tree LP

Antibalas - Where The Gods Are In Peace LP (co-produced with Martin Perna, Duke Amayo, Marcos Garcia and Geoff Mann)

The Sway Machinery - You Will Love No One But Me EP (co-produced with Jeremiah Lockwood)

Takuya Kuroda - “Think Twice” feat. Antibalas (co-produced with Takuya Kuroda)

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Some recordings I’ve worked on:

• Akoya Afrobeat - “P.D.P.”, “Wahala” (guitar)

Antibalas - Antibalas LP (bass)

Antibalas - “A.W.O.L.” (bass)

Antibalas - “Sáré Kon Kon Pts 1 and 2” (bass)

Antibalas - “Se Chiflo” (guitar solo)

Antibalas - “Tattletale Pts 1 and 2” 45 (bass)

Armo - Armo EP (guitar, vocals)

Bright Moments - Natives LP (guitar, cavaquinho)

Combo Lulo - “Atlantico” 45 (bass)

Combo Lulo - Neotropic Dream LP (bass)

Combo Lulo - “The Sieve & The Sand” 45 (bass and Pianet solo)

Combo Lulo & Ralph Weeks - “Algo Muy Profundo” 45 (bass)

Directors - Action! EP (bass, vocals)

DJ Center feat. Akoya Afrobeat - “Dem Say Ah” 10” (vocals)

DJ Center feat. Akoya Afrobeat - “Dem Say Ah Akoya Re-Rub” 45 (bass, vocals)

Gitkin - “Canción de Aplauso” (organ solo)

Ikebe Shakedown - “Chosen Path” (organ solo)

• Jovanotti - “Melagioco,” “Libera” (bass)

Leyla McCalla (feat. Yah Supreme) - “As I Grew Older / Dreamer” (engineering)

• Say She She - “Apple Of My Eye,” “Fortune Teller” (bass, co-writing), “Believe,” “Don’t Wait” (bass)

Setenta - “Da Manha” DJ Center remix 10” (bass)

• Chris St. Hilaire - “Coconut Chutney,” “Ruby Topaz” (guitar)

Superhuman Happiness - “Needles & Pins” 45 (bass)

Superhuman Happiness - Hands LP (bass, vocals, percussion)

Superhuman Happiness feat. Cults - “Um Canto De Afoxé Para O Cloco De Ilê (Ilê Ayê)” (bass)

The Sway Machinery - Purity & Danger LP (bass)

Underground System - “Sebben (La Lega)” (bass)

There are also a number of things that I’ve recorded that have yet to be released, chief among them a recording I co-produced and played bass on featuring the legendary Tony Allen (1940-2020) on drums from July 4th, 2018. Much of my career in music has been focused on the Afrobeat style Tony co-created alongside Fela Kuti, and the opportunity to work with him while he was still with us was an immerse blessing and honor— truly a highlight of my life!

(L-R: myself, Duke Amayo, Tony Allen, Laolu Senbajo and Quinn McCarthy)

(L-R: myself, Duke Amayo, Tony Allen, Laolu Senbajo and Quinn McCarthy)

 
 

Musical Direction

The skills of leading, rehearsing, conducting and providing creative direction to bands have come in handy throughout my musical career.

A couple of projects that stand out in this regard:

 
 

ANNUAL FELABRATION CONCERTS: From 2016-2019 I’ve been at the helm of four Felabration concerts at Nublu 151, putting together large ensembles to perform some of my favorite Fela Kuti material in celebration of his October 15th birthday. These shows were co-organized with my friends Daniel Yount (of Super Yamba Band) and Mickey Pérez, and were conducted in cooperation with the Lagos, Nigeria-based Felabration organization. I’ve been lucky to draw from the large pool of awesome musicians in NYC who have spent time working in the genre to create one-of-a-kind shows that are a yearly highlight for Afrobeat lovers who appreciate integrity.

HAILU MERGIA & LOW MENTALITY: In 2013 I was asked to work with a true legend of Ethiopian music, the one and only Hailu Mergia, who would be making a return to performing live after nearly two decades away from the stage. I offered an expanded, seven-piece version of my existing Low Mentality band as the hit squad for the occasion. I found myself in the fortunate position of learning about the language of modern Ethiopian music directly from one of its pioneers, and translating the material for my NYC-based crew of musicians. For a year our performances at venues such as Lincoln Center, Kennedy Center, the Pop! Montreal festival, the Big Ears festival and Baby’s All Right garnered rave reviews, both from music critics and from regular party people. These days Hailu performs with his trio-- highly recommended!

Live performance on NPR’s World Cafe

New York Times review of our debut show at Baby’s All Right

Washington Post review of our Kennedy Center performance

(L-R: James Windsor-Wells, myself, Timothy Allen, Mike Kammers, Hailu Mergia, Pavel Kogan-Liakhov, Omar Little and Chauncey Yearwood)

(L-R: James Windsor-Wells, myself, Timothy Allen, Mike Kammers, Hailu Mergia, Pavel Kogan-Liakhov, Omar Little and Chauncey Yearwood)

 
 

 Production & Scoring

I’ve made a bunch of different kinds of music for video, be it film, TV or online. Here are some highlights:

 
 
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Bruk Out! (dir. Cori Wapnowska): I was hired to compose original music for this super entertaining and moving film about women all over the world coming together around Jamaican dancehall dance culture. I got to attend a screening at the Alamo Drafthouse in Brooklyn, and it was a real thrill to hear my productions behind wild dance styles and interviews with dancehall legends such as Beenie Man and Elephant Man, and comparing well to hit Jamaican tunes used in other places in the film.

“Regulation Song” (dir. Sean Frechette): Low Mentality was hired to write an original song about the issue of government regulation as part of a series of web videos called We The Voters, produced by Morgan Spurlock of Super Size Me fame. This was a very fun process-- I was given a sheet of lyrics that I rearranged to fit into an original Low Mentality groove, which was recorded in Brooklyn, and we filmed the performance part of the video at Newark’s City Hall.

 
 
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How To Survive A Plague (dir. David France): the band Superhuman Happiness, led by the great Stuart Bogie, was brought in to provide music for this profound and compelling documentary about Act Up!, the activist organization that brought worldwide attention to the AIDS crisis in the 80s. Stuart composed a bunch of spot-on music, and created some improvisational settings, and I played bass and piano throughout the film.

Serge Ibaka: Son Of The Congo (dir. Adam Hootnick): I composed and recorded some of the music on a Grantland/ESPN 30 for 30 web series about Congolese NBA power forward Serge Ibaka (who is now a world champion with the Toronto Raptors). My contributions drew from my experience with Congolese music and provided a sense of place for the series, which largely takes place in the DRC. 

Brain Games (EP Toby Gorman, Casey Kriley, James Rowley and Lauren Williams): along with some friends from Antibalas, I performed music for an upcoming edition of this fun, educational show hosted by Keegan-Michael Key (of Key & Peele) for the Nat Geo channel. The music was written by composers from the company Signature Tracks, and I was pleased to contribute funky guitar, bass and keys to the soundtrack.

 
 

Nikhil P. Yerawadekar & Low Mentality

 
 
(L-R: Andy Bauer, Chris St. Hilaire, myself, Carter Yasutake and Mayteana Morales)

(L-R: Andy Bauer, Chris St. Hilaire, myself, Carter Yasutake and Mayteana Morales)

“Nikhil P. Yerawadekar & Low Mentality make some of the best music coming out of NYC. Not the best Afrobeat, not the best post-highlife, not the best South African psychedelic disco. Some of the best music, period.”

-Saxon Baird, Afropop Worldwide

I started Low Mentality in 2012. It’s my version of what Donny Hathaway once referred to as “the totality of music.” Low Mentality music draws from all the various sounds and ideas I am most fascinated by to make music that can bring all types of people together. Our songs are heavily influenced by Fela, reggae and dancehall, the great rock and R&B voices, modal and early electric jazz and 90s hip-hop. When I write songs for the band, I look for common points between seemingly disparate styles and find ways to fit them together organically. Over the years we’ve performed regularly in NYC, with scattered out-of-town shows and a lineup that has evolved as the concept has grown.

In addition to releasing a full length LP in 2016 and a handful of singles and videos before and after, an expanded version of Low Mentality served as the backing band for Ethiopian music legend Hailu Mergia, and we even contributed a School House Rock style original song to a series of educational shorts produced by Morgan Spurlock called We The Voters. A number of recordings have been in development since, to be shared when the timing is right..

Official website

Bandcamp (the best way to support independent musicians!)

 
 

Living Language

 
 
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Living Language is my small-ensemble Afrobeat jazz group, born at Bar Lunatico in 2018 and continuing to build and evolve since then..

The initial concept of the band involved reducing lesser known Fela Kuti material, including some of his most dense compositions from later in his career, to a six piece format, and focusing on maintaining a balance of interaction and call-and-response to drive the music. As the band name implies, aside from creating sonorous and funky music, a goal of the project is to maintain and develop the musical language of Afrobeat. The group’s original repertoire aims to work with Afrobeat’s grammar while adding new vocabulary, and our debut recording “Eleloji” serves as a good example by using scales and modes not typically associated with Fela.

I’m currently developing more original recordings with my good friend, bassist and producer Vince Chiarito (Black Pumas, Charles Bradley, Ikebe Shakedown). Stay tuned!

 
 

 Other Projects

ARMO

I get to play guitar and do a bit of singing in this band consisting of friends from Antibalas. Spiritual chamber Afrobeat.

ECHO RHYTHM BAND

My upstate New York band, with Matt Bauder, Ben Zwerin and Aaron Johnston. Diasporic funk with an organic, dubby improvisatory approach.

LOBOKO

I get to play second guitar behind the boss Yohni Djungu-Sungu in this band. Diving in to Congolese styles beyond soukous.

 
 

 The Sound Mind Collective

 
 
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In 2017, Odie Powell, Chris St. Hilaire, and I co-founded The Sound Mind Collective, a democratically-run group of independent music makers in NYC. Our mission was to collaborate internally and with other organizations to find ways strengthen our local communities. From its inception in 2017 to its end in 2022, SMC took on a number of projects, such as hosting several skill building workshops for our music community, producing concerts to benefit local organizations we admired, and contributing our voices to influence local government policies that affect musicians. In 2019, the collective was given a residency at Human Impacts Institute in Williamsburg, Brooklyn. The following year, SMC turned its focus to raising funds for musicians and venues affected by the COVID-19 pandemic, and created spaces for dialogue and healing within the community.

 
 
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Contact

Write me anytime at:

nikhil [at] nikhilp.biz